But if you were to play a “minor” blues, it would look something like this.īlues legend B. vi – ii – vi – IV – III7īlues music generally leans heavily on the 12-bar structure in 12/8 time, the I, IV, and V chords, and a dominant seventh sound. It will serve you well in all your future endeavors. If you want to master the blues, master the 12-bar structure. And this creates space for awesome solos (usually guitar solos, but sometimes keyboard and bass solos too) to unfold. That’s where the blues is much simpler, usually with one progression that repeats throughout the entire song, usually in the same key. Some songs in other genres are far more complex, with multiple progressions and rhythmic patterns across different sections of the song (sometimes in different keys). What’s great about this 12-bar structure is that it’s easy to follow. Stevie Ray Vaughan’s “Pride And Joy” follows the above chord progression very closely, except that it’s in the key of Eb, and the first IV chord is replaced by a I: And so on…Įither way, if you don’t already have a solid foundation in the blues, this would be the place to start! And then the progression is repeated for the duration of the song because that’s how blues songs work. I | IV | I | I | IV |IV | I | I | V | IV | I | VĪnd the final V chord is typically where there’s a “turnaround,” a chord or riff that creates a sense of completion while segueing back into the first chord in the sequence. ![]() Note that the above doesn’t show the progression in its most common “12-bar blues” form, which would be as follows: ![]() There are still some conventions that aren’t often challenged, though. Most songs are made up of the same three chords (I, IV, and V), except with variations on the duration of each. The truth is, there aren’t that many chord progressions in the genre of blues. I – IV – I – IV – I – V – IV – I – V (If You Only Learn One, Make It This Progression)Įxample: E | A | E | A | E | B | A | E | B
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